The publication of the Sigismundus exhibition catalogue in 2006 included an even fuller listing of all 22 of the known saddles of the group (pp. The fullest account of this group of saddles was in Julius von Schlosser, 'Elfenbeinsõttel des ausgehenden Mittelalters', Jahrbuch der Kunsthistorischen Sammlungen in Wien, XV, 1894: 260-94. Yet another good representation is in the panel painting of St George and the dragon attributed to Van Eyck, in the National Gallery of Art, Washington. Jagiellonska, Krakow (A von Oechlhauser, Die Miniaturen der Universitõts Bibliothek zu Heidelberg, II, Heidelberg, 1895, pl. A very good representation appears in an illumination of the mid 16th century Trous'sches Bruchstuck in the Bib. 9), and on an early 15th century playing card in the Kunsthistorisches Museum, Vienna (Courtauld box 421, German school). ![]() Others are shown in 'the battle' by the Master of the Death of the Virgin, active in the first half of the 15th century (Lehrs no. ![]() A plain saddle of this type is shown in an engraving by the Souith German Master ES, active 1466-8, of St George (M Lehrd, Late Gothic engravings of Germany and the Netherlands, New York, 1969, no.
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